Dates and venue set for “Listening to the Echoes of the South Atlantic”
“Listening to the Echoes of the South Atlantic” is a sound-based, multidisciplinary exhibition that features a combination of sound-based visual art, interventions, and performances that convey the importance of sonic politics in relation to the history, present, and future of the South Atlantic. The exhibition was selected among the proposed projects as part of the three-year interdisciplinary research project initiated by the Goethe-Institut, Sao Paulo, Echoes of the South Atlantic. The first stage of the research project took place in April 2018 in Salvador da Bahia, Brazil. The conference addressed the question of the future of Southern Transatlantic relations, particularly concerning the past, present and future role of Europe within this context, and set out to explore possible answers through a multi-disciplinary, multi-spatial and multi-temporal approach that included lectures, discussions, performances, and artistic interventions. One overriding theme that resonated throughout the first conference was the sociopolitical importance of music. As such, the exhibition was conceived as an active response to many of the questions set forth in the first Echoes conference.
Taking a transcultural, transatlantic approach as a starting point, the exhibition explores the political, social, and cultural implications of music, highlighting the significance of music as a mediator of cultural experience and history. Addressing issues of site and context, the exhibition examines how visual and performing artists implement music as a means of bringing history and memory into spaces of contemporaneity. Building on the historical importance of music in relation to the development of what Paul Gilroy defines as black Atlantic culture, the exhibition explores the sociopolitical implications of music in contemporary visual and performance art practices. The project reflects a very conscious approach to what music represents beyond a pure sonic experience. Placing emphasis on the sociopolitical importance of music directs attention towards the ways in which the underlying narratives are entangled and interconnected. Naturally, strong emphasis is placed on artists from the South Atlantic, who are set in dialogue with one another to convey the importance of thinking in Glissantian terms about the idea of echos monde, understood as the world of things resonating with one another.
Cássio Bomfim, Jeannette Ehlers, Anita Ekman, Satch Hoyt, Neo Muyanga & William Kentridge, Camille Norment, Dawit L. Petros, and Nyugen E. Smith.
The exhibition will take place at Oslo Kunstforening February 6 - April 5, 2020, and a series of live-performances will also take place at Nordic Black Theatre.